Ghost Movies

December 8, 2008

Stir of Echoes

Filed under: 1990's Ghosts — Tags: — Casper @ 4:55 am
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`Stir of Echoes’ is one of the better supernatural thrillers I have seen in some time. It is a frightening and gripping story, well presented and well crafted. Tom Witzky (Kevin Bacon) and his wife Maggie (Kathryn Erbe) live a normal middle class life with their son Jake (Zachary David Cope) in a Chicago suburb. Normal, that is, except for the fact that young Jake is communing with the dead. One evening Tom dares his sister-in-law to hypnotize him to prove it is a bunch of baloney. The result is that Tom begins to get visions of a young girl named Samantha; the same girl Jake has been talking with. When Tom gets a message to find her, he begins an all consuming and obsessive quest. What he finds turns out to be an evil and sinister revelation that puts him and his whole family in grave danger.

The story is very effective, presented more as a psychological horror film rather than the grisly gore so prevalent in the genre. Numerous comparisons have been made between this film and `The Shining’ and `Close Encounters of the Third Kind’, somehow implying that because this film used some of the effective devices from those films, it is without value. I couldn’t disagree more. There is a difference between ripping off a story and adapting effective devices used in other films. This film did the later par extraordinaire. This story used a novel approach to a well plowed genre. It combined the supernatural element with a mystery to produce a powerful hybrid. Forget the comparison with `Sixth Sense’. The only thing these films had in common was dead people.

Writer/Director David Koepp did a terrific job in both capacities. The story was plausible, frightening and drew the viewer in. There were some dangling dead end plot lines (Maggie’s pregnancy disappeared as a plot element after the announcement; and what was Neil about?) that just wasted our time. But mostly, everything fit together well. The direction was fabulous. It was designed to scare the hell out of you and that it did. Koepp created incredible suspense without the use of expensive special effects, simply by using the camera and sound effectively. The five speaker surround on the DVD was particularly good and added impact and eeriness to each scene.

Kevin Bacon was at the top of his game in this film. His obsession with finding Samantha was played with intensity and single mindedness. Kathryn Erbe was also good as Maggie, bringing both strength and passion to the part.

The Sixth Sense

Filed under: 1990's Ghosts,Featured Articles — Tags: — Casper @ 4:50 am
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Most horror movies, while I still continue to watch them, don’t exactly captivate me and pull me into the story. The Sixth Sense most definately did, and I’m not just saying that to be like everybody else. Haley Joel Osment is an excellent young actor, and Willis is in top form in this flick. He handled an intelligent, sensitive role better than I ever thought possible, and Haley, well…

Haley is already an icon of precocious youth. Because these actors were well-suited to their roles, the film is smooth and progresses naturally, without feeling rushed or pushed.

I also liked the fact that Shyamalan didn’t overuse the gore and ghosts aspect of the movie, for that would’ve quickly desensitized me. Instead, he placed the ghosts sparingly, at parts in the movie when they would create the most uproar amongst the audience. James Newton Howard is also an excellent composer and the score of Sense is haunting and lilting without being jolting.

Ringu 2

Filed under: 1990's Ghosts — Tags: — Casper @ 4:01 am
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Ringu 2 (1999), directed by Hideo Nakata, is the sequel to the Japanese horror film, Ring.

Ringu was originally a novel written by Koji Suzuki; its sequel, Rasen (aka Spiral), was also adapted into a movie as the Ringu movie’s sequel. However, due to the poor response to Rasen, Ring 2 was made as a new sequel to Ring, not based on Suzuki’s works, and thus ultimately ignores the story of Rasen.

Plot

Shortly after the events of the first film, Mai Takano searches for answers in regards to Ryuji Takayama’s sudden death. This leads her into a collision course with Ryuji’s ex-wife Reiko and her son Yoichi, both of whom have been in hiding out of fear from the authorities. Yoichi, having endured the curse of the tape, begins exhibiting Sadako Yamamura’s psychic abilities at the cost of him becoming a mute. Meanwhile, the curse of the tape claims another victim, Kanae Sawagouchi, who was betrayed by Okazaki when he didn’t watch the tape as promised. This results in Kanae’s ghost returning and driving Okazaki into madness.

While inspecting Sadako’s corpse, the forensic experts noted evidence that Sadako had died only a year ago, meaning that she was still alive in the sealed well for almost 30 years. They later reconstruct her body and send it to Takaishi, who takes it on his boat and later sets it loose into the bottom of the ocean.

Despite trying to keep their whereabouts hidden, Mai is coerced by the authorities, who close in on Reiko and Yoichi. At the station, Mai runs into Yoichi and utilizes her limited psychic abilities to tell him to flee. Yoichi regains his voice, which alerts Reiko. Both of them escape, but Reiko experiences a vision where her late father, who watched the tape some time ago to save Yoichi, appears. He tells her that “the child you carry with you isn’t Yoichi anymore”. Reiko is killed by a truck, having never recovered from the vision. The police arrive but Yoichi focuses his killing intent on one of the detectives for a moment, before Mai interrupts and whisks Yoichi away.

The next morning, Mai and Yoichi head for Izu, hoping to look for answers from Takaishi Yamamura, owner of an inn and Sadako’s last living relative. One of the doctors, who experiments with spirit photography or nensha, arrives with equipment and is looking for Mai. That same night, Mai returns to the Inn, having been taken to the River of Offering by Takaishi. Mai and the doctor see a vision of Shizuko combing her hair in front of a mirror and Sadako walking in, a scene from the video tape. This was actually caused by Yoichi, who was thinking of his mother at the time.

The next day, the doctor sets his equipment up next to a pool of fresh water which serves to negate Sadako’s energies from Yoichi. Mai is hooked up as a channeler. The process starts and suddenly becomes chaotic when Yoichi’s powers awaken. Takaishi, seeing Sadako’s coffin in the pool, swims out towards it and is killed while yelling “Take me! End this with me!” Later, the doctor, possessed by Sadako’s influence commits suicide by electrocution, which also kills the nurse trying to stop him. Mai takes the device off her head and runs to Yoichi before blacking out.

Waking up, Mai and Yoichi find themselves in the well before both of them fall in. Ryuji appears, telling Yoichi and Mai to give him their fear in order to escape. Ryuji’s grip leaves nensha marks on Yoichi’s hand. The well opens and the end of a rope is dropped down into the well. Mai and Yoichi scale up the well when Sadako appears, asking them, “Why is it you were saved?” Possibly asking Mai as to why she was able to escape the well when Sadako herself couldn’t. Sadako falls back into the well as Mai and Yoichi escape.

Mai and Yoichi emerge from well, only to find themselves in the same pool they were in earlier. The bodies of Takaishi, the doctor, and the nurse lay around the two as they reach the catwalk, fortunate to have survived.

In the hospital, a nurse comes into a holding room to take Okazaki’s picture before leaving. As the photo develops, her eyes widen in shock before looking back at the room. Behind Okazaki is the laughing ghost of Kanae Sawagouchi.

Ring

Filed under: 1990's Ghosts — Tags: — Casper @ 3:49 am
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Ring is a 1998 Japanese horror mystery film from director Hideo Nakata, adapted from the novel of the same name by Koji Suzuki, which draws from the Japanese folk tale Banch? Sarayashiki. The film stars Nanako Matsushima, Hiroyuki Sanada, and Rikiya Otaka as members of a divorced family, each cursed by a videotape. The film was later remade in the United States as The Ring (2002).

The film is the highest grossing horror film in Japan at 15.9 billion yen ($137.7 million) and is also considered the most frightening horror movie in Japan according to the investigation of Oricon.

Plot

Ring is a movie about a cursed videotape that, when watched, will cause the viewer to die a week after.

The film begins with two teenagers, Masami (Hitomi Sato) and Tomoko (Yuko Takeuchi) talking about a videotape recorded by a boy in Izu which is fabled to bear a curse that kills the viewer seven days after watching. Tomoko then reveals that a week ago, she and three of her friends watched a weird tape and received a call after watching it. Unnervingly similar to the storied videotape, Masami realizes that Tomoko was fated to die. After some unsettling moments, Tomoko mysteriously dies with Masami having the horror of watching.

Some days later and Asakawa Reiko (Nanako Matsushima), a reporter investigating the popularity of the video curse among teenagers, discovers that her niece, Tomoko and her three other friends mysteriously died at the same time on the same night with their faces twisted in a rictus of fear. She also discovers that Masami, the girl who was with Tomoko when she died, went crazy and is now in a mental hospital. After stumbling upon Tomoko’s photos from the past week, Reiko finds out that the four teenagers stayed in a rental cabin in Izu. Eventually, she flips to a photo of the teens with their faces blurred.

Later, Reiko goes to Izu and finds an unlabeled tape in the reception room of the rental cottage where the teenagers stayed. Watching the tape inside Cabin B4, Reiko sees the tape containing a series of seemingly unrelated disturbing images. As soon as the tape is over, Reiko receives a phone call, a realization of the tell-tale videotape curse. Then on, she now assumes that she has a week to live.

On the first day, Reiko enlists the help of her ex-husband, Ryuji Takayama (Hiroyuki Sanada). They take a picure of Reiko and finds her face blurred in the photograph, further confirming that Reiko really was cursed. Ryuji, then watches the tape, against Reiko’s objections. A day later and Reiko creates a copy for Ryuji for them to study. They find a hidden message embedded within the tape saying that “if you ‘shoumon’ on seawater, the ‘boukon’ will come for you.” The message is in a form of dialect from Oshima Island. The two sail for Oshima (after Asakawa’s son watches the videotape) and discover the history of the great psychic Shizuko Yamamura.

With only a day left, Reiko and Ryuji discovered that Shizuko’s lost daughter, Sadako, must have made the videotape. Determined, the two go back to Izu with the assumption that Sadako is dead and it was her vengeful spirit that killed the teenagers. The duo then uncover a well under Cabin B4 and realize, through a vision, that Sadako’s father killed her and threw her into the well. They try to empty the well and find Sadako’s body in an attempt to appease her spirit. Reiko finds Sadako’s body. When nothing happens to her, they believe that the curse is broken.

All seems fine until the next day when Sadako crawls out of Ryuji’s TV set and kills him. Desperate to find a cure to save her son, Reiko realized what she did that Ryuji didn’t, thus saving her: She copied the tape and showed it to him. With a VCR and Ryuji’s copy of the tape, Reiko rides to her son in attempt to save him, realizing that this is a never-ending cycle: The tape must always be copied and passed on to ensure the survival of the viewers.

Nang Nak

Filed under: 1990's Ghosts — Tags: — Casper @ 3:26 am
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Nang Nak is a romantic tragedy and horror film directed by Nonzee Nimibutr in 1999 through Buddy Film and Video Production Co. in Thailand. It features the life of a devoted ghost wife and the unsuspecting husband. Particularly poignant in the film is the devotion of the wife to her husband. A particularly impressive and eerie scene is where the husband (Mak) sees his wife extend her arm all the way to the ground from the elevated hut.

Plot

In rural village in Thailand, Mak (Winai Kraibutr) is sent to fight in a war and leaves his pregnant wife, Nak (Intira Jaroenpura). Mak is injured, and barely survives. He returns home to his doting wife and child, or so he thinks. Mysterious events occur around the village.

A friend visits and sees Mak living together with Nak. The villagers, knowing that Nak died in childbirth several months previously, realize what is happening, that Mak is spellbound by Nak’s ghost. People who attempt to tell Mak, or who know too much, are killed by Nak’s ghost, who becomes more aggressive due to her inability to accept her early death and her desperate desire to stay with her husband.

Toward the end, Mak discovers what is happening, and shocked, flees to the local temple. The villagers attempt several solutions, including burning down the house and in the end summon a ghost exorciser to destroy her forehead (this would destroy her soul as well as the ghost).

The country’s most respected Buddhist monk (in the film Somdej To) arrives in the final moments, takes charge and in a tearful farewell Nak repents, leaving her husband to live his life. Somdejto has the centre of her forehead cut out and made a girdle brooch. He wore it till his last day. The epilogue states that it later became in possession of His Royal Highness Prince Chumbhorn Ketudomsak. Then, handed down to many others, nondetected. Until now nobody knows where the item is.

December 7, 2008

House on Haunted Hill

Filed under: 1990's Ghosts — Tags: — Casper @ 10:57 am
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House on Haunted Hill is a 1999 horror film, directed by William Malone and starring Geoffrey Rush, Famke Janssen, Taye Diggs, Ali Larter and Jeffrey Combs. It also includes a cameo appearance by Peter Graves. Produced by Robert Zemeckis and Joel Silver, it is a remake of the 1959 film of the same name directed by William Castle, borrowing elements from the 1973 classic Don’t Look in the Basement. House on Haunted Hill marks the producing debut of Dark Castle Entertainment, a production company that went on to produce Thir13en Ghosts and House of Wax, two films which were also remakes of William Castle’s films.

The film is often compared with The Haunting, another 1999 remake of a similar film from 1963, based on the novel The Haunting of Hill House. Also worth noting, in comparison to the original, while William Castle’s version leaves a degree of ambiguity as to the presence of ghosts in the building, the remake leaves no doubt whatsoever.

Plot

The film sets the action in an abandoned asylum, The Vannacutt Psychiatric Institute for the Criminally Insane, where mass-murders were committed in the past. The head of the facility, Dr Richard B. Vannacutt (Jeffrey Combs), performed grotesque experiments and medical procedures on the patients, killing many of them in the process. The hospital was shut down when many of the so-called “patients” escaped, killing almost the entire staff and burning the hospital. Vannacutt had rigged the building with numerous iron gates activated by cranks and levers to serve as barriers to keep patients from leaving the building, should they escape. Some of these barriers are subject to huge clock-like timers that would not open for twelve hours. During the fire, he released these gates keeping the inmates, employees and the fire itself contained. After several unexplained deaths during reconstruction on the house, it was dubbed The House on Haunted Hill.

The story revolves around the disintegrating marriage of Evelyn (Famke Janssen), a spoiled trophy wife who epitomizes high-maintenance and Steven Price (Geoffrey Rush), an amusement park mogul with a wicked sense of humor, each of whom would cheerfully kill the other. Evelyn fancies spectacular parties, so Steven leases the house from the owner, Watson Pritchett (Chris Kattan), for his Halloween birthday bash. Steven was supposed to send out the invitations from the two-page list of names given him by Evelyn. However, invitations were sent to only five people – Jennifer Jenzen (aka Sara Wolfe) (Ali Larter), Eddie Baker (Taye Diggs), Melissa Margaret Marr (Bridgette Wilson), Dr. Donald Blackburn (Peter Gallagher), and finally Pritchet. When the guests arrive, neither Evelyn nor Steven (seemingly) know who they are. Despite this, Price continues the party’s theme, offering a million dollars to anyone who stays in the house and survives until morning, with any person not making it having his money added to the winners’ pot.

Shortly after, the security gates are tripped, locking everyone inside, forcing them to remain there until the gates reopen in the morning. Initially this is a gimmick orchestrated by Carl Schecter (Max Perlich), a company employee who develops a series of harmless traps meant to scare the guests. Things swiftly become much worse than a few harmless scares. What follows is the slow, and often bloody, demise of several of the guests and hosts in various ways, courtesy of the evil spirits of the house. It is discovered that the spirits in the house created the party list to include the descendants of the five members of Vannacutt’s staff that didn’t die at the hospital when it burned. After a deranged Steven attempts to kill his wife Evelyn for orchestrating his murder plot, the two accidentally unleash the darkness of the house when he throws her through an ancient and decayed door. The Darkness is a dark shape shifting creature comprised of all the spirits in the house, lead by Dr. Vannacutt. This force comes after and tries to kill all the surviving guests to trap them in a permanent purgatory within the house.

It starts by assimilating Evelyn into itself (killing her) while Price watches in horror. The Darkness reveals how the evil souls that comprise the Darkness wants to feed on all those “who are responsible.” Upstairs, Pritchet, Eddie, and Sara are trying to open one of the iron gates on the window when they hear Price’s screams at the door down the hall. Pritchet proceeds to go get it, while on the other side of the door, the Darkness catches up with Price. Price jumps out of the way at the same time as when Pritchet opens the door and the Darkness assimilate him and flows away. Price runs through the hall while Sara and Eddie follow him, trying to figure out how he is alive when Sara supposedly shot him (he wore a bullet-proof vest). Price tells them that what Pritchet had been saying all along was true: the house was alive and had killed everyone (except Dr. Blackburn, who was murdered by Evelyn and had his head cut off to frame Price). He figures that the only way to get out is to go to the attic and activate the pulleys that sealed off escape from the house. Price runs ahead of them to activate them while Sara and Eddie stay behind. The Darkness seeps through the house and tries to use it to kill them. As they are running up the stairs to the attic Sara trips, and the Darkness uses Melissa’s form to try to lure her to it. Price by then has activated a pulley that reveals an opening in the window of the attic. Eddie and Sara get there, while the Darkness seeps up the cracks of the wooden floor, and Sara lingers while Eddie goes to the opening. Eddie looks back from the window to find that the Darkness had arrived and is attempting to sever the rope that keeps the iron gate open. While Eddie rushes back to get Sara, the Darkness tries to assimilate her but instead assimilates Price, who had sacrificed his life to get Sara out of the way. Sara escapes just as the iron gate comes crashing down, trapping Eddie with the Darkness. The Darkness then confronts Eddie and brings up charges against his ancestor’s actions. Eddie then screams that he was actually adopted. At the sound of this, Pritchet’s ghost appears (separate from the Darkness) and frees Eddie by pulling the rope needed to open the iron gate, at which Sara pulls Eddie through as the Darkness is about to assimilate him. After he is pulled through, the gate shuts, Pritchet’s ghost disappears and the Darkness disappears into nothingness. As Sara and Eddie sit in exhaustion over the night’s events, they notice that an envelope has been pushed through the gate, containing five checks for $1 million each. After the credits, a film is shown with the patients operating on Evelyn and Price’s dead body.

The Haunting

Filed under: 1990's Ghosts — Tags: — Casper @ 10:46 am
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The Haunting is a 1999 remake of the 1963 horror film of the same name. Both films are based on the novel The Haunting of Hill House by Shirley Jackson, published in 1959. The Haunting was directed by Jan de Bont and stars Liam Neeson, Catherine Zeta-Jones, Owen Wilson and Lili Taylor. It was released in the United States on July 20, 1999.

Synopsis

When her invalid mother dies and her sister (Virginia Madsen) evicts her, Eleanor “Nell” Vance (Taylor) receives a phone call, telling her about an ad for an insomnia study run by Doctor David Marrow (Neeson) at Hill House – a secluded manor in Massachusetts. Upon arrival, Nell meets Mr. Dudley (Bruce Dern) and Mrs. Dudley (Marian Seldes), a strange pair of caretakers who do not stay on the property after dark, and then two other participants in the study, wild Theo (Zeta-Jones) and “bad sleeper” Luke Sanderson (Wilson).

Unknown to the participants, Doctor Marrow’s true purpose is to study the psychological response to fear. Each night, the caretakers chain the gate outside Hill House, preventing anyone from getting in or out until morning, when the caretakers open the lock. There are no working telephones inside Hill House and cell phone service is unavailable there. The house was chosen because of its isolation from the outside world.

On their first night at the mansion, Doctor Marrow relates the legend of Hugh Crain – an Industrial Revolution tycoon who built Hill House. According to Doctor Marrow’s telling of the legend, Crain’s wife killed herself before the house was finished, which drove Crain insane. As he tells the story, an accident causes Marrow’s research assistants to leave the house, leaving the doctor alone with the study participants for the duration of the study.

The first night, Theo and Nell begin to experience strange phenomenon within the house, including odd noises and inexplicable temperature changes. Doctor Marrow placates Theo with explanations centered around the old house’s plumbing, but Nell remains unconvinced. Her experiences intensify. Eventually, she sees apparitions, but everyone else in the house believes that she’s making up stories for attention. Nell is confronted after the main hallway is vandalized with the words “Welcome Home, Eleanor”, and becomes extremely distraught, setting out to prove that the house is haunted by the souls of those victimized by Crain’s cruelty. She learns that Crain built his fortune by exploiting kidnapped children for slave labor and murdering them when they were of no more use to him. She also learns that Crain had a second wife named Carolyn, of whom Nell is descended.

When Doctor Marrow reveals the dual nature of his study, Theo and Luke believe the pressures of being confined to the house are causing Nell to suffer a nervous breakdown. Doctor Marrow finally comes to his senses and decides they must leave. At that moment, a statue in a nearby fountain comes to life and attempts to drown him. After experiencing more terrifying phenomena, the four flee the house but they are trapped on the property. During that time, Nell asks Doctor Marrow how he knew the house wanted her (referring to phone call she received earlier). He does not know about any call and says the first time he spoke to Nell was at the house. When Luke tries to crash the gate with Nell’s Gremlin, he fails and is trapped in the car. The car is leaking gasoline and Doctor Marrow and Theo free Luke from the car. While they are helping Luke, Nell goes back into the house, knowing that she cannot leave the children to be hurt by Crain. Luke, Theo, and Doctor Marrow go in search of Nell. Once they find her, she reveals her relation to Carolyn and how she must stay and help the children. The other three try to run but Hugh Crain’s evil spirit seals up the house, trapping them inside.

Theo, Luke and Doctor Marrow try to break windows to get out, but have no success and eventually, Doctor Marrow cuts his hand. While Nell and Theo tend to Marrow, Luke destroys a portrait of Hugh Crain, out of frustration with a candlestick and against Nell’s warnings. Crain’s spirit, then, drags Luke to the fireplace where he is decapitated by a lion-headed flue.

Nell tells Doctor Marrow and Theo they have to hide. When Nell runs to try and hide, she realizes that she must avenge the souls of Crain’s victims and invokes Crain’s spirit to manifest and is able to lead him towards a huge iron door with the inscription “All Ye Who Stand Before These Doors Shall Be Judged” engraved on it. An avenging wind howls throughout the room and demons from the gates of hell pull Crain’s spirit into it. Nell is thrown into the door and dies with her arms outstretched as a Christ figure, while her spirit floats from her body and rises up to heaven with the spirits of Crain’s victims. After witnessing Nell’s death, Theo and Doctor Marrow wait by the gate outside till the Dudleys come in the morning.

When Mr. Dudley asks Doctor Marrow if he found what he wanted to know, Doctor Marrow does not give an answer. When the gate opens, Doctor Marrow and Theo silently walk out and down the road, leaving Hill House behind them.

Ghost in the Machine

Filed under: 1990's Ghosts — Tags: — Casper @ 9:25 am
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Ghost in the Machine (also known as Deadly Terror) is a 1993 horror/science fiction film from 20th Century Fox.

Plot

The film is about a fictional serial killer named Karl Hochman (Ted Marcoux), who is known as the “address book killer.” At the beginning of the film, he is nearly killed by a head-on collision with a truck. At the emergency room he is placed in a MRI machine, when a surge, caused by an electrical storm, transfers his mind into a computer. As a network-based entity he plots to continue his killing spree, using the electrical grid, appliances, and the computer network.

He obtains the address book of Terry Munroe (Allen) and begins to go through the list to kill off her friends. (In the film she has a son, Josh, played by Wil Horneff.) Aided by computer hacker Bram Walker (Mulkey), however, they manage to fight back and defeat the killer by introducing a computer virus that traps him at a physics laboratory. Hochman is forced to escape, existing in a form similar to the holograms in the Star Trek: The Next Generation holodecks. The heroes then proceed to activate an atom smasher which appears to draw in the killer and destroy him.

Ghost

Filed under: 1990's Ghosts — Tags: — Casper @ 9:23 am
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Ghost is a 1990 romantic fantasy film starring Patrick Swayze, Demi Moore, Tony Goldwyn and Whoopi Goldberg, written by Bruce Joel Rubin and directed by Jerry Zucker. It was nominated for multiple Academy Awards, including Best Picture, winning for Best Original Screenplay, as well as Best Supporting Actress for Whoopi Goldberg.

Plot

Sam Wheat (Patrick Swayze) and Molly Jensen (Demi Moore) are a happy and loving couple living in New York City. The only problem in their relationship is Sam’s apparent discomfort with saying “I love you” to his girlfriend, only responding to her saying it with “ditto”. This bothers Molly, who feels she needs to hear him say “I love you” in return.

One night, while walking back to their new apartment after going to the theatre, they encounter a thief named Willy Lopez (Rick Aviles). He pulls a gun and Sam is shot. Sam chases Willy, but loses him; when he returns to Molly, he sees her cradling his own corpse, and realizes that he is now a ghost, trapped between worlds. Lights descend to take him away, but he flees.

Sam realizes that the robbery was planned when Willy sneaks into the house and rifles through his belongings. Sam follows Willy home and learns that his close friend and co-worker, Carl Bruner (Tony Goldwyn), hired Willy to rob Sam in order to get his office computer password; Carl is involved in a money laundering deal at the bank where he and Sam worked. Sam had recently changed his computer password, locking Carl out of the phony accounts where Carl had stashed the money. Sam lashes out in frustration at his supposed best friend, but realizes that, as a ghost, he can do little.

Sam fears that Molly is in danger but is helpless, unable to communicate with her in his spiritual form. As fate has it, however, he encounters Oda Mae Brown (Whoopi Goldberg), a con artist posing as a medium who ironically discovers (through hearing Sam say that her business is a “crock of shit”) that she really does have her family’s power to hear ghosts, though she cannot see them. Seeing her as his only hope of communicating with Molly, Sam endlessly pesters Oda Mae until she eventually gives in and agrees to help him.

Oda Mae reluctantly calls Molly and tells her she is communicating with Sam, but Molly is understandably skeptical. Molly is convinced only when Oda Mae tells her several private things that only Sam could know, most importantly Sam’s use of the word “ditto”.

Sam encounters a troubled ghost (Vincent Schiavelli) haunting the Subway, who teaches him how to touch and move objects by focusing his emotions on his intended target. He also learns that Oda Mae is now being plagued by ghosts coming from as far away as New Jersey to speak to their living relatives. One briefly possesses her, but it is seen that this greatly saps a ghost’s energy. He promises that she will no longer be bothered if she helps him.

Meanwhile, Molly visits the police, having become quite skeptical of Oda Mae’s claims. The desk sergeant assures her that she’s right to be suspicious, as there’s no file on any ‘Willy Lopez’ — but there is an amazingly large file on Oda Mae Brown, who is well-known to local police as a huckster and small-time fraud.

Sam and Oda Mae move to thwart Carl’s plan. Carl had stolen $4 million and put it in a fraudulent account. Under Sam’s instructions, Oda Mae poses as ‘Rita Miller’ — the name on the account – to withdraw the money, and grudgingly gives the large cheque to two nuns collecting for charity. Carl panics when he realises the account has been closed, and is tormented by Sam, who, invisible, behaves like a poltergeist and types the word “MURDERER” on his computer.

Carl traces the missing money and ends up at Molly’s door, asking about Oda Mae. Molly slips and reveals that Oda Mae was Rita Miller, and that she knows about the secret ‘slush fund’ that Carl has been frantically trying to access. Carl realizes that Sam’s ghost is present and tells him he will be back to kill Molly if he doesn’t get the money back. Sam runs off to warn Oda Mae, but Willy arrives soon after. Oda Mae and her sisters escape as Sam terrorizes Willy, prompting Willy to run out into the street in a panic. Willy is hit by a truck, but only realises he is dead when he sees his own corpse. As he does so, the shadows around him rise from the ground and take the shape of demons, which drag him into darkness as his screams echoes away .

Molly is still unsure about Oda Mae, but she is convinced after Oda Mae slides a penny under the door and Sam uses his powers to place the penny in Molly’s hand (earlier, we see that Sam and Molly save pennies “for luck”). Sam then uses Oda Mae’s body to share a passionate moment with Molly, but an outraged Carl storms in and threatens to kill Molly and Oda Mae if he does not get his money. Sam is forcefully ejected from Oda Mae’s body and tries to stop Carl, but, as seen before, the possession has left him drained.

Molly and Oda Mae escape to a loft above the apartment, with Carl in pursuit. He tries desperately to catch up with the women and finally gets to Oda Mae, pulling out a gun. Molly comes to Oda Mae’s defense, but Carl overpowers her and he takes her hostage instead. Sam’s energy is restored and he forces Carl to throw the gun away, enabling Molly to escape unharmed. Fighting in vain to stop Sam’s attacks, Carl foolishly swings a hanging hook at him. The hook passes through Sam’s ghostly body, swings back and shatters an open window, which falls and kills Carl while he is trying to escape. Sam expresses regret as the demons take Carl’s terrified spirit away.

When Sam returns to Oda Mae and Molly, Molly can see and hear him, as he has assumed a partly visible form. After saying a final goodbye to Oda Mae, he shares a final kiss with Molly and tells her he loves her, to which she responds with “ditto”. Sam then walks off into the bright light to heaven.

The Frighteners

Filed under: 1990's Ghosts — Tags: — Casper @ 9:20 am
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The Frighteners is a 1996 comedy/horror film directed by Peter Jackson about a psychic private detective who stands in the way of a murderous Grim Reaper-like creature. As with his later films, Jackson filmed the movie in his home country, New Zealand on location in Lyttelton and Governor’s Bay. Released on July 19, 1996, the film earned $16 million at the U.S. box office. The film was originally intended to be a Tales from the Crypt episode, (which Robert Zemeckis also executive produced), but the “Tales from the Crypt” marquee was removed during development and expanded into a feature length film.

Plot

The film starts with a panicked girl named Patricia Bradley running from a ghost seen through the shape of walls. She is saved when her mother appears and shoots at the Grim Reaper-like ghost. The movie then shifts to the story of Frank Bannister. After losing his wife, Bannister (Michael J. Fox) gave up his job as an architect, letting his unfinished “dream house” sit incomplete for years. Following his wife’s death, Bannister gains the power to see ghosts and puts this skill to use by befriending three ghosts named Cyrus (a 1970s individual), Stewart (a nerd, presumably from the 1950s) and The Judge (an Old West gunslinger) and getting them to haunt houses in the area to drum up work for his ghostbusting business; Frank then proceeds to “exorcise” the houses for a fee ( One of these houses is that of Dr. Lucy Lynskey and her husband) however, he is seen around town as a conman. Frank later discovers that the husband of Lucy has been killed and an encounter with his ghost leads him to discover that an entity resembling the Grim Reaper is killing people, marking numbers on their forehead beforehand. Frank tries to help the people whom the Reaper is after. His motivation was that his wife was found dead after the car crash with a similar (lower) number carved into her forehead. Sure that they are connected, Frank decides to hunt down and discover the identity of the killer. Because he can see the numbers ahead of time, Frank can foretell the murders, but this puts him under suspicion by the police, and an eccentric FBI agent named Milton Dammers (Jeffrey Combs). He tries to stop the murder of the Reaper latest target, but ends up with Judge getting ‘killed’ by the grim reaper after (along with Cyrus and Stewart) trying to help Frank get away from the police and the reaper, and Frank getting the blame for the death of the person he was trying to save, being subsequently arrested.

In prison, after Frank is interrogated by Dammers, Lucy pays Frank a visit, however it is then revealed that Lucy is the reaper’s next target. In trying to stop the Reaper Cyrus and Stewart attempt to fight it off but then winding up with Stewart getting ‘killed’. After breaking out Cyrus, upset by the death of his friend sacrifices himself in order for Frank and Lucy to get away. Frustrated by his inability to fight the reaper Frank attempts to kill himself to do so. However Lucy gets him to instead go to the freezing works so that he can be brought back.

Upon confronting the Reaper Frank discovers that the killer is the ghost of Johnny Bartlett. In life, Bartlett was crazy about being a prolific serial killer and murdered twelve people in a mental hospital with the assistance of Patricia, who was Bartlett’s under aged girlfriend and daughter of the Director of the Hospital. The two were arrested and tried: Patricia was sent to prison on suspicion despite maintaining her innocence, but eventually released to live with her overbearing mother under careful observation, while Bartlett received the electric chair, just after shouting that he killed “one more than Starkweather.” Using Barletts Scythe against him, Frank rids Charlie of his Reaper form but before he can do anything else he is forced back into his body.

After learning the identity of the Reaper, Lucy worries that Patricia will become one of Johnny’s targets. She enters the house, however makes a terrifying discovery: Patricia, who did aid Bartlett in the original murders, is still working with Bartlett’s ghost. Patricia kills her mother and tries to kill Lucy, but Frank saves her and the two flee, stealing Bartlett’s ashes from Patricia’s room. Hoping to take the ashes to holy ground, they run for the chapel of an abandoned hospital to send Bartlett to Hell. Frank’s powers help him realise that this was the hospital where the original crimes were committed through visions from the past. Unfortunately, the ashes are released by Dammers (whose is subsequently blasted with a shotgun by Patricia). Bartlett and Patricia hunt down Frank and Lucy. It is then that Frank makes sense of his repressed memories about the car crash that killed his wife. Bartlett, it seems, drove the two off the road and killed Frank’s wife, Debra, then Patricia used Frank’s box knife to cut the number into her forehead. The two kill Frank by strangling him, however, Frank’s ghost seizes Patricia’s spirit and drags her up towards Heaven with him, with Bartlett in hot pursuit. When they arrive, both Bartlett and Patricia are sent down to Hell, while Frank, after meeting Debra’s spirit (as well as Cyrus and Stewart, implying that Barlett ‘forced’ them up to heaven by destroying their ghost forms), is told it is not yet his time and is sent back to earth. He and Lucy fall in love. After this, due to the traumatic experience the two went through, it is revealed that Lucy can see the ghosts too- including a very displeased Dammers, evidently assigned as a guardian angel to the local sheriff – and Frank goes back to being an architect, demolishing the dream house that he never finished for his wife and building a life with Lucy.

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