Ghost Movies

December 8, 2008

White Noise: The Light

Filed under: 2000's Ghosts — Tags: — Casper @ 5:11 am
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2007 horror thriller film, directed by Patrick Lussier and written by Matt Venne. It is a stand-alone sequel to the 2005 film White Noise, directed by Geoffrey Sax. Lussier and Sax worked together on the 1996 television movie Doctor Who.

Budgeted at approximately $10 million, the film is rated PG-13 for intense sequences of violence and terror, some disturbing images, thematic material and some language. The film was released to movie theaters internationally and was released direct-to-DVD in the United States on January 8, 2008.

Plot

After witnessing the murder of his wife and young son at the hands of Henry Caine (Craig Fairbrass) who then turned the gun on himself, Abe Dale (Nathan Fillion) is so distressed that he attempts to take his own life. A near-death experience follows that leaves Abe with the ability to identify those who are about to die. He acts on these premonitions to save three people from death, among them a nurse met during his recovery, Sherry Clarke (Katee Sackhoff). Abe soon learns that Henry, before murdering Abe’s wife and son, actually saved their lives. This leads Abe to believe that Henry also had the ability to see death. This makes Abe want to learn more about Henry, so he visits his house only to learn that Henry survived his suicide. Investigating further, Abe discovers that three days after cheating death, those whose lives he saved will be possessed and compelled to take the lives of others. Accepting this responsibility, Abe comes with the terms of a horrible fact that he must consider killing to prevent further tragedy.

White Noise

Filed under: 2000's Ghosts — Tags: — Casper @ 5:09 am
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“White Noise” is a fairly suspenseful, largely nongraphic suspense/horror film that does a good job of conjuring up a perpetually creepy mood. True, part of the credit goes to the drizzly Vancouver locations, but it’s nice to see nevertheless. At heart, this is a B-movie, full of large lapses in logic and several plot twists that came out of nowhere. I’m willing to forgive the film these flaws because it’s quite honest about its Saturday Afternoon Double Feature pedigree.

Michael Keaton’s performance is the greatest strength of the movie. He starts off as a married man who is perhaps a little too contented. (I suspect that his buddy-buddy relationship with his ex-wife in scattered scenes suggest his character has lots of repression issues.) Following his second wife’s death, Keaton’s character becomes more and more obsessed with the possibility of communicating with the dead via the static in videotapes, radio, and the like. Even if such communication were true, his constant obsession is definitely an unhealthy one.

I admired his performance in this film. Naysayers may tell you that he’s over-the-top but that’s exactly what this film needs to jerk itself out of its Made-for-TV mode.

In fact, I’d compare what he does in this film to what Vincent Price did for similar B-movies in the 1950s and 60s. He takes what could be a throwaway film and turns it into something to viewer can take seriously for 90 minutes. I came to this film expecting to hate it and yet I enjoyed it almost entirely because of Keaton’s talents.

What Lies Beneath

Filed under: 2000's Ghosts — Tags: — Casper @ 5:07 am
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What really sets this movie apart from other “horror” movies is that it is really limited on the violence, abeit some scenes have scary situations, but nothing like Scream or The Amityville Horror. While it may not be suitable for small children, you can rest assured your older children will not be exposed to mindless violence or foul language. Most of What Lies Beneath’s scary moments involve “jumping out of your seat” scares during the first half, such as Pfeiffer’s character walking down the hallway, and all of a sudden something falls behind her that will make you jump.

The cast of characters is relatively small, so you get to focus more on Michelle Pfeiffer and Harrison Ford(both who have aged fantastically over the years) who are a married couple now with the house to themselves after the daughter goes of to college. Pfeiffer, after a series of events, begins to suspect that her next door neighbor may have been murdered by her husband. She does a little investigating, with a little “Rear Window” thing going on, and then she starts to encounter strange things in her own home.

The bathtub fills up by itself, words appear on a computer screen without anyone typing them, and as she suspects a ghost, Ford just thinks she is making it up in her head. This is only the tip of the iceberg, the story goes much deeper than this, with many twists and turns that will keep you guessing many things until the end.

My only complaint is that some scenes last longer than they should, with more dialog than necessary, especially in the beginning. But “beneath” that, you will be entranced by the master direction of Robert Zemeckis(Castaway, Forrest Gump), and the superb acting abilities of both Michelle Pfeiffer and Harrison Ford.

Thir13en Ghosts

Filed under: 2000's Ghosts, Featured Articles — Tags: — Casper @ 4:59 am
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Sure, a lot of critics hate this movie, but when are critics supposed to like horror movies. My answer: Never. So a good suggestion is to pay no attention to the critics and see the movie yourself, and then draw your own conclusion. In my opinion, this was an awesome horror movie that keeps you guessing.

For a horror movie, the story was very complex. The directing and acting was really good in the movie. Especially Matthew Lillard’s performance. There are enough creepy ghosts and surprises that will get you hooked in no time.

If you liked, “House on Haunted Hill,” chances are that you will enjoy this movie as well, being that it was produced by the same people. The audio and visual effects were incredible, and made the movie that more impressive. Although all the flashing lights might give you a little bit of a headache; small price to pay, if you ask me. My only complaint is that I think the movie could’ve been a little more scarier at certain parts. Other than that, I thought it was great.

I’m not going to take the time to go over the movie’s story, because you’ll find out when you go see it. The previews have been very careful about not giving anything away, so I will do the same. Just know this; Poor family without a home + vengeful ghosts trapped in glass rooms in creepy mansion = one hell of a time!

Stay Alive

Filed under: 2000's Ghosts — Tags: — Casper @ 4:54 am
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“Stay Alive” is a bland horror movie about a video game that kills people the same way they die inside the game. The friends that play this game soon figure this out, and then realize they must defeat the Blood Countess from the video game or accept their fates.

We’ve had video tapes in “The Ring,” a deadly website in “Fear Dotcom,” and of course video games movies such as this one. “Stay Alive” does some things well; the character development is quite a bit deeper than it usually would be in a horror movie. We really see into some of the characters feelings and past and get to know them all quite well, so the viewers may gain some emotions for them.

The film is also very suspenseful. Tense, unnerving moments are frequently played through the film, accompanied by unsettling, creepy music. There are plenty of jumps and jolts for the viewer. This can be ideal once or twice, but these false scares that Hollywood seems to enjoy overplaying in horror films nowadays, wears thin in Stay Alive.

The camera will tend to provide sharp angles or quick flashes in order to give viewers a very quick glimpse of a demon or witch, and try to scare them with this sudden burst on the screen. Why? The gore is obviously very weak because of the film’s certificate. The script to Stay Alive is very cheesy and quite laughable, and the characters tend to play it too melodramatically and confusingly. Also, clichés come in from every direction, for instance people wandering around on their own in search of a strange noise or if they have spotted a figure in the dark, they will go and investigate it.

However the computer graphics used for the video game segments are rather impressive and look colorful and sharp, working well with the other parts of the film. But overall, there is just not enough to hold out on with this film. Stretching at just over a hundred minutes, it won’t be a battle to Stay Alive, but rather, Stay Awake.

Soul Survivors

Filed under: 2000's Ghosts — Tags: — Casper @ 4:52 am
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This was not a typical teen slasher movie as I was expecting it to be, but it wasn’t very satisfying either. It seemed too familiar and too similar to a much better psychological thriller that came out about 10 years ago, called Jacob’s Ladder, where the main character struggles with figuring out the difference between reality and fantasy.

The young cast is nice to look at, with Wes Bentley giving a credible performance, and Eliza Dushku acting a bit like her Buffy the Vampire Slayer character, Faith, here. New girl Melissa Sagemiller, who reminds me a bit of Claire Danes, did a good job as the lead character, but I found the performances of Casey Affleck and Luke Wilson to be very wooden and unemotional.

I was probably disappointed with the movie because I figured it out pretty early, and because it was so similar to Jacob’s Ladder. I was also disappointed by the lack of tension throughout the story. For a scary thriller, the movie tended to relax too much inbetween the scary and tense moments, and when the scary moments did come, they weren’t a surprise at all.

Silent Hill

Filed under: 2000's Ghosts — Tags: — Casper @ 4:49 am
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I have to say I was very impressed with how well this movie was executed at the start. There are times when the visuals are so amazing that I actually got very excited and wished more movies could be like Silent Hill. It generally has a decent pace working for it until about the last third.

Then it seems to become a tangle of plot explanation, dragging it slowly down and un-doing all that came before it. The ending of the game version was far better I thought, but I suppose because this is a movie aimed at fitting the criteria of a film, the director, screenwriter and producers would have been broke if they had attempted to re-create the game entirely. Honestly though, they hit all the deeply disturbing spots from anything and everything Silent Hill.

I was glad to see that this wasn’t another sell-out to make it a PG-13 movie and simply reap the finances. It is disturbing, very gory and should please any horror fan. I wouldn’t reccomend taking the little ones to this one. There are some very dark, nightmarish sequences that would seriously scar them for a long time.
For gamers who love this game, you’ll like it I think. Like I said, the ending is the only let down and it seemed like getting there was a bit painful. The Pyraimd -Head was absolutely amazing. Forget all of the garabge that both Resident Evil films were. This one smokes them both. It hits the atmosphere on the ball, it usese the music from the first three games and pulls you straight into Silent Hill, the nighmare world where two separate planes keep switching.

If you like horror flicks, you’ll be impressed by the music, gore and overall creepiness. If you like the game, I’m sure you’ll be as equally impressed. If you don’t like either, or you only have a very shallow understanding of horror, you will be disappointed and upset. It’s great on the big screen, but I don’t see Silent Hill winning any awards. If only Resident Evil could have been this good.

Saint Ange

Filed under: 2000's Ghosts — Tags: — Casper @ 4:43 am
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Saint Ange is a 2004 horror film written and directed by Pascal Laugier.

Plot

Anna, a young cleaning woman, is sent to spruce up the abandoned St. Ange orphanage in the French Alps region in 1958. She then discovers that Judith is the only orphan who still lives there. As she begins her cleaning duties, Anna begins to experience strange things such as hearing the footsteps and voices of children down the hallways. Meanwhile, her co-worker, a cook named Helenka, does not hear a thing, and begins to worry about Anna’s state of mind.

Reincarnation

Filed under: 2000's Ghosts — Tags: — Casper @ 4:03 am
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Reincarnation is a 2005 J-Horror film directed by Takashi Shimizu and written by Takashi Shimizu and Masaki Adachi. Preceded by Infection and Premonition Reincarnation is the third film in producer Takashige Ichise’s six part J-Horror Theater series.This film is often considered as to be inspired by Stanley Kubrick’s 1980 horror hit “The Shining”.

Reincarnation premiered at the 18th Tokyo International Film Festival on October 27th, 2005. It was theatrically released in the U.S. as one of the eight films in the nationwide film festival Horrorfest, which ran November 17th through 21st, 2006.

Synopsis

35 years ago, a series of terrible murders took place in a tourist hotel. A college professor had apparently gone mad and, as part of his wish to understand reincarnation, filmed himself killing 11 of the hotel guests and employees, as well as his own children, to finally commit suicide. Although since then, footage of the murders has disappeared.

In the present day, horror movie director Matsumura decides to make a movie about the massacre. As the date of the shoot draws near, Nagisa Sugiura, the actress who is set to star as the professor’s daughter, is haunted by the ghosts of the victims. She begins to hallucinate and is plagued by nightmares of the killings. However, Nagisa is not the only person who is seeing these visions.

She begins to believe herself to be the reincarnation of the professor’s little daughter, until she goes to the cubby where the little girl was slain and finds someone else there. When she sees the real reincarnation of the little girl, other victims are drawn back to the places where they died. Nagisa realizes she is not the reincarnation of a victim: instead, she was the homicidal professor.

The film ends with Nagisa in a mental hospital, bound in a full-body wrap and haunted by the souls of her past incarnation’s children. Her crazed smile is oddly triumphant.

The Ring

Filed under: 2000's Ghosts — Tags: — Casper @ 3:47 am
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The Ring is a 2002 American remake of the 1998 Japanese horror film of the same name (also known as Ringu). Both movies are based on the novel of the same name by Kôji Suzuki. Directed by Gore Verbinski and starring Naomi Watts and Martin Henderson, The Ring was a financial success.

Plot

The film focuses on a mysterious cursed videotape which contains a seemingly random series of disturbing, grainy, black and white images. After watching the tape, the viewer receives a phone call in which a voice condemns the viewer to death in exactly seven days.

As the film opens, two teenage girls Katie Embry (Amber Tamblyn) and Rebecca ‘Becca’ Kotler (Rachael Bella) discuss the supposedly cursed tape. Katie reveals that, seven days before, she went to a cabin at Shelter Mountain Inn with friends, where she viewed the video tape. After a series of strange occurrences, involving a television in the house turning itself on, Katie is mysteriously killed while Becca watches, causing her to be institutionalized in a mental hospital.

Katie’s aunt, Rachel (Naomi Watts), is a journalist living in Seattle. At Katie’s funeral, Rachel’s sister asks her to investigate her daughter’s death. Her investigation leads her to the cabin where Katie watched the tape. She finds and watches the tape, the phone rings and a girl says “seven days.” The next day she calls her ex-boyfriend and her precocious son Aidan and his father, Noah, to see the video. He asks her to make a copy for further investigation. Aidan watches the tape a couple of days later.

After viewing the tape, Rachel experiences nightmares, nose bleeds, and surreal situations (when she pauses a section of the tape in which a fly runs across the screen, she plucks it from the monitor). Rachel investigates the images on the tape, leading her to Anna Morgan (a woman seen in the tape) who lived on Moesko Island with her husband Richard and daughter. A tragedy befell the Morgan ranch, in which the horses they raised seemed to go mad and kill themselves, presumably causing Anna to become depressed and commit suicide. Rachel goes to the Morgan house and finds Richard who refuses to talk about the video or his daughter. A local doctor tells Rachel that Anna could not carry a baby to term and adopted a child named Samara Morgan (Daveigh Chase). Anna soon complained of visions that only happened when Samara was around, so both were sent to a mental institute. Noah goes to the institute, finds Anna’s file and discovers that a video is missing. Rachel returns to the Morgan house, views the missing video and is confronted by Richard, who states the girl was evil. Following an intense scene, he then electrocutes himself in the bathtub, sending Rachel running out of the house screaming.

Noah arrives and with Rachel, goes to the barn to discover a room where Samara was kept by her father. Behind the wallpaper they discover an image of a tree seen on the tape, and near the cabin. At the cabin, they discover a well underneath the floor, in which Rachel finds the body of Samara, experiencing a vision of how her mother dropped her into it. Rachel notifies the authorities, and Samara is given a proper burial.

Rachel informs Aidan that they will no longer be troubled by Samara. However, Aidan is horrified, telling his mother she had freed her body, and that Samara never sleeps. In his apartment, Noah’s TV turns on, revealing an image in which Samara crawls from the well, walks toward the screen and crawls out of the set into the room. Samara stares directly at him, causing his death from fright — which Rachel discovers after racing to his apartment. Upon returning to her apartment, Rachel destroys and burns the original tape screaming, “What do you want from me!?” She soon notices the tape marked “COPY” underneath the couch. Worried that Aidan will also die, Rachel realizes the only way to escape is to copy the tape and show it to someone else, continuing the cycle. The movie ends with Rachel helping Aidan to copy the tape and put it in a public library.

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