Ghost Movies

December 8, 2008

Stir of Echoes

Filed under: 1990's Ghosts — Tags: — Casper @ 4:55 am
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`Stir of Echoes’ is one of the better supernatural thrillers I have seen in some time. It is a frightening and gripping story, well presented and well crafted. Tom Witzky (Kevin Bacon) and his wife Maggie (Kathryn Erbe) live a normal middle class life with their son Jake (Zachary David Cope) in a Chicago suburb. Normal, that is, except for the fact that young Jake is communing with the dead. One evening Tom dares his sister-in-law to hypnotize him to prove it is a bunch of baloney. The result is that Tom begins to get visions of a young girl named Samantha; the same girl Jake has been talking with. When Tom gets a message to find her, he begins an all consuming and obsessive quest. What he finds turns out to be an evil and sinister revelation that puts him and his whole family in grave danger.

The story is very effective, presented more as a psychological horror film rather than the grisly gore so prevalent in the genre. Numerous comparisons have been made between this film and `The Shining’ and `Close Encounters of the Third Kind’, somehow implying that because this film used some of the effective devices from those films, it is without value. I couldn’t disagree more. There is a difference between ripping off a story and adapting effective devices used in other films. This film did the later par extraordinaire. This story used a novel approach to a well plowed genre. It combined the supernatural element with a mystery to produce a powerful hybrid. Forget the comparison with `Sixth Sense’. The only thing these films had in common was dead people.

Writer/Director David Koepp did a terrific job in both capacities. The story was plausible, frightening and drew the viewer in. There were some dangling dead end plot lines (Maggie’s pregnancy disappeared as a plot element after the announcement; and what was Neil about?) that just wasted our time. But mostly, everything fit together well. The direction was fabulous. It was designed to scare the hell out of you and that it did. Koepp created incredible suspense without the use of expensive special effects, simply by using the camera and sound effectively. The five speaker surround on the DVD was particularly good and added impact and eeriness to each scene.

Kevin Bacon was at the top of his game in this film. His obsession with finding Samantha was played with intensity and single mindedness. Kathryn Erbe was also good as Maggie, bringing both strength and passion to the part.

Stay Alive

Filed under: 2000's Ghosts — Tags: — Casper @ 4:54 am
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“Stay Alive” is a bland horror movie about a video game that kills people the same way they die inside the game. The friends that play this game soon figure this out, and then realize they must defeat the Blood Countess from the video game or accept their fates.

We’ve had video tapes in “The Ring,” a deadly website in “Fear Dotcom,” and of course video games movies such as this one. “Stay Alive” does some things well; the character development is quite a bit deeper than it usually would be in a horror movie. We really see into some of the characters feelings and past and get to know them all quite well, so the viewers may gain some emotions for them.

The film is also very suspenseful. Tense, unnerving moments are frequently played through the film, accompanied by unsettling, creepy music. There are plenty of jumps and jolts for the viewer. This can be ideal once or twice, but these false scares that Hollywood seems to enjoy overplaying in horror films nowadays, wears thin in Stay Alive.

The camera will tend to provide sharp angles or quick flashes in order to give viewers a very quick glimpse of a demon or witch, and try to scare them with this sudden burst on the screen. Why? The gore is obviously very weak because of the film’s certificate. The script to Stay Alive is very cheesy and quite laughable, and the characters tend to play it too melodramatically and confusingly. Also, clichés come in from every direction, for instance people wandering around on their own in search of a strange noise or if they have spotted a figure in the dark, they will go and investigate it.

However the computer graphics used for the video game segments are rather impressive and look colorful and sharp, working well with the other parts of the film. But overall, there is just not enough to hold out on with this film. Stretching at just over a hundred minutes, it won’t be a battle to Stay Alive, but rather, Stay Awake.

Soul Survivors

Filed under: 2000's Ghosts — Tags: — Casper @ 4:52 am
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This was not a typical teen slasher movie as I was expecting it to be, but it wasn’t very satisfying either. It seemed too familiar and too similar to a much better psychological thriller that came out about 10 years ago, called Jacob’s Ladder, where the main character struggles with figuring out the difference between reality and fantasy.

The young cast is nice to look at, with Wes Bentley giving a credible performance, and Eliza Dushku acting a bit like her Buffy the Vampire Slayer character, Faith, here. New girl Melissa Sagemiller, who reminds me a bit of Claire Danes, did a good job as the lead character, but I found the performances of Casey Affleck and Luke Wilson to be very wooden and unemotional.

I was probably disappointed with the movie because I figured it out pretty early, and because it was so similar to Jacob’s Ladder. I was also disappointed by the lack of tension throughout the story. For a scary thriller, the movie tended to relax too much inbetween the scary and tense moments, and when the scary moments did come, they weren’t a surprise at all.

The Sixth Sense

Filed under: 1990's Ghosts, Featured Articles — Tags: — Casper @ 4:50 am
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Most horror movies, while I still continue to watch them, don’t exactly captivate me and pull me into the story. The Sixth Sense most definately did, and I’m not just saying that to be like everybody else. Haley Joel Osment is an excellent young actor, and Willis is in top form in this flick. He handled an intelligent, sensitive role better than I ever thought possible, and Haley, well…

Haley is already an icon of precocious youth. Because these actors were well-suited to their roles, the film is smooth and progresses naturally, without feeling rushed or pushed.

I also liked the fact that Shyamalan didn’t overuse the gore and ghosts aspect of the movie, for that would’ve quickly desensitized me. Instead, he placed the ghosts sparingly, at parts in the movie when they would create the most uproar amongst the audience. James Newton Howard is also an excellent composer and the score of Sense is haunting and lilting without being jolting.

Silent Hill

Filed under: 2000's Ghosts — Tags: — Casper @ 4:49 am
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I have to say I was very impressed with how well this movie was executed at the start. There are times when the visuals are so amazing that I actually got very excited and wished more movies could be like Silent Hill. It generally has a decent pace working for it until about the last third.

Then it seems to become a tangle of plot explanation, dragging it slowly down and un-doing all that came before it. The ending of the game version was far better I thought, but I suppose because this is a movie aimed at fitting the criteria of a film, the director, screenwriter and producers would have been broke if they had attempted to re-create the game entirely. Honestly though, they hit all the deeply disturbing spots from anything and everything Silent Hill.

I was glad to see that this wasn’t another sell-out to make it a PG-13 movie and simply reap the finances. It is disturbing, very gory and should please any horror fan. I wouldn’t reccomend taking the little ones to this one. There are some very dark, nightmarish sequences that would seriously scar them for a long time.
For gamers who love this game, you’ll like it I think. Like I said, the ending is the only let down and it seemed like getting there was a bit painful. The Pyraimd -Head was absolutely amazing. Forget all of the garabge that both Resident Evil films were. This one smokes them both. It hits the atmosphere on the ball, it usese the music from the first three games and pulls you straight into Silent Hill, the nighmare world where two separate planes keep switching.

If you like horror flicks, you’ll be impressed by the music, gore and overall creepiness. If you like the game, I’m sure you’ll be as equally impressed. If you don’t like either, or you only have a very shallow understanding of horror, you will be disappointed and upset. It’s great on the big screen, but I don’t see Silent Hill winning any awards. If only Resident Evil could have been this good.

The Shining

Filed under: 1980's Ghosts, Featured Articles — Tags: — Casper @ 4:47 am
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The Shining is a 1980 horror film directed by Stanley Kubrick, based on Stephen King’s novel of the same name. Kubrick co-wrote the screenplay with novelist Diane Johnson. The film stars Jack Nicholson as tormented writer Jack Torrance, Shelley Duvall as his wife, Wendy, and Danny Lloyd as their son, Danny.

The film tells the story of a writer, Jack Torrance (Jack Nicholson), who accepts the job of the winter caretaker at a hotel which always gets snowed in during the winter. While his family looks around the hotel during closing day, the psychic hotel chef discovers the psychic abilities of Jack’s son Danny, and Danny’s ability to detect ghostly presences in the hotel. In the chef’s family, this ability is called “shining”. When the hotel becomes snowbound, Jack Torrance is driven mad by the ghosts in the hotel, and he tries to murder his wife and son.

Initial response to the film was mixed, and it performed moderately at the box office. Subsequent critical assessment of the film has been more favorable, and it is now viewed as a classic of the horror genre. The novel’s author Stephen King had very conflicted feelings about it (see Reception and Comparison with the Book) which have oscillated over time. He produced a TV mini-series remake in 1997.

Plot

Jack Torrance (Jack Nicholson) arrives at the Overlook Hotel for a job interview. Manager Stuart Ullmann (Barry Nelson) warns him that the previous caretaker got cabin fever and killed his family and himself during the long winter in which the hotel is entirely isolated. The hotel itself is built on the site of an Indian burial ground. Jack’s son Danny (Danny Lloyd) has had terrifying premonitions about the hotel. His mother, Wendy (Shelley Duvall), tells a visiting doctor about Danny’s imaginary friend ‘Tony’, and that Jack, her husband, had given up drinking because he had physically abused Danny after a binge.

The family arrives at the hotel on closing day, and is given a tour. The elderly African-American chef, Dick Halloran (Scatman Crothers), surprises Danny by speaking to him telepathically and inviting him for an ice cream. He explains to Danny that he and his grandmother shared the gift; they called the communication “shining”. Danny asks if there is anything to be afraid of in the hotel, particularly Room 237. Dick tells Danny that the hotel has a certain “shine” to it and many memories, not all of them good, and advises him to stay out of the hotel rooms.

A month goes by; Jack’s writing project is going nowhere, Wendy is concerned about the phone lines being out due to the snow storm, and Danny is having more frightening visions. Jack tells Danny that he genuinely loves and cares for him, and that he would like to stay in the hotel forever.

Danny’s curiosity about Room 237 finally gets the better of him when he sees the room has been opened. Meanwhile, Jack confesses to Wendy that he’s had a nightmare in which he killed her and Danny; immediately after this, Danny shows up injured and visibly traumatized. Wendy thinks Jack has been abusing Danny again. Jack wanders into the hotel’s Gold Room where he meets a ghostly bartender who serves him alcohol. Jack complains to the bartender about his difficulties in his relationship with Wendy. Wendy shows up and apologizes for accusing Jack, explaining that Danny told her a “crazy woman in Room 237″ was responsible for his injuries.

In Florida, Dick Hallorann gets a premonition that something is wrong at the hotel. Jack investigates Room 237 and has an encounter with the ghost of a dead woman there, but tells Wendy he saw nothing. Wendy and Jack argue violently about whether Danny should be removed from the hotel, and Jack returns to the Gold Room, now filled with ghosts having a costume party. Here he meets the ghost of the previous caretaker, Delbert Grady (Philip Stone), who tells Jack that he has to ‘correct’ his wife and child.

Danny starts calling out the word “redrum” frantically, and scribbling it on walls. He goes into a trance, and withdraws; he now says that he is Tony, his own “imaginary friend.” Jack sabotages the hotel radio, cutting off communication from the outside world, but Halloran has received Danny’s telepathic cry for help and is on his way.

Wendy discovers that Jack has been typing endless pages of manuscript repeating “All work and no play makes Jack a dull boy” formatted in various ways. Horrified, she confronts Jack, he threatens her and she knocks him unconscious with a baseball bat, locking him in a storage locker in the kitchen, but Grady releases him.

Danny has written “Redrum” in lipstick on the door of Wendy’s bedroom. When she looks in the mirror, she sees that it is “Murder” spelled backwards. Jack picks up an axe and begins to chop through the door leading to his family’s living quarters. In a frantic maneuver, Wendy sends Danny out through the bathroom window but Wendy can’t escape the same way because the window sticks half-way. Jack then starts chopping the bathroom door down with the axe. When Jack has almost hacked his way through, he pushes his face into the splintered wood and calls “Here’s Johnny!” with homicidal intent. As Jack unlocks the door, Wendy swipes at his hand with a butcher knife; Jack backs off and starts prowling around the hotel. Hallorann enters, but is killed by Jack, who then chases Danny into the hedge maze. Danny manages to evade his father by walking backwards in his own tracks — a trick formerly used by Native Americans. Wendy and Danny escape in Hallorann’s vehicle, while Jack freezes to death in the hedge maze. The final shot of the movie is of an old photograph taken at the hotel on July 4, 1921 in which Jack Torrance is clearly visible while Midnight, the Stars and You is being played through the hallways.

Saint Ange

Filed under: 2000's Ghosts — Tags: — Casper @ 4:43 am
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Saint Ange is a 2004 horror film written and directed by Pascal Laugier.

Plot

Anna, a young cleaning woman, is sent to spruce up the abandoned St. Ange orphanage in the French Alps region in 1958. She then discovers that Judith is the only orphan who still lives there. As she begins her cleaning duties, Anna begins to experience strange things such as hearing the footsteps and voices of children down the hallways. Meanwhile, her co-worker, a cook named Helenka, does not hear a thing, and begins to worry about Anna’s state of mind.

Reincarnation

Filed under: 2000's Ghosts — Tags: — Casper @ 4:03 am
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Reincarnation is a 2005 J-Horror film directed by Takashi Shimizu and written by Takashi Shimizu and Masaki Adachi. Preceded by Infection and Premonition Reincarnation is the third film in producer Takashige Ichise’s six part J-Horror Theater series.This film is often considered as to be inspired by Stanley Kubrick’s 1980 horror hit “The Shining”.

Reincarnation premiered at the 18th Tokyo International Film Festival on October 27th, 2005. It was theatrically released in the U.S. as one of the eight films in the nationwide film festival Horrorfest, which ran November 17th through 21st, 2006.

Synopsis

35 years ago, a series of terrible murders took place in a tourist hotel. A college professor had apparently gone mad and, as part of his wish to understand reincarnation, filmed himself killing 11 of the hotel guests and employees, as well as his own children, to finally commit suicide. Although since then, footage of the murders has disappeared.

In the present day, horror movie director Matsumura decides to make a movie about the massacre. As the date of the shoot draws near, Nagisa Sugiura, the actress who is set to star as the professor’s daughter, is haunted by the ghosts of the victims. She begins to hallucinate and is plagued by nightmares of the killings. However, Nagisa is not the only person who is seeing these visions.

She begins to believe herself to be the reincarnation of the professor’s little daughter, until she goes to the cubby where the little girl was slain and finds someone else there. When she sees the real reincarnation of the little girl, other victims are drawn back to the places where they died. Nagisa realizes she is not the reincarnation of a victim: instead, she was the homicidal professor.

The film ends with Nagisa in a mental hospital, bound in a full-body wrap and haunted by the souls of her past incarnation’s children. Her crazed smile is oddly triumphant.

Ringu 2

Filed under: 1990's Ghosts — Tags: — Casper @ 4:01 am
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Ringu 2 (1999), directed by Hideo Nakata, is the sequel to the Japanese horror film, Ring.

Ringu was originally a novel written by Koji Suzuki; its sequel, Rasen (aka Spiral), was also adapted into a movie as the Ringu movie’s sequel. However, due to the poor response to Rasen, Ring 2 was made as a new sequel to Ring, not based on Suzuki’s works, and thus ultimately ignores the story of Rasen.

Plot

Shortly after the events of the first film, Mai Takano searches for answers in regards to Ryuji Takayama’s sudden death. This leads her into a collision course with Ryuji’s ex-wife Reiko and her son Yoichi, both of whom have been in hiding out of fear from the authorities. Yoichi, having endured the curse of the tape, begins exhibiting Sadako Yamamura’s psychic abilities at the cost of him becoming a mute. Meanwhile, the curse of the tape claims another victim, Kanae Sawagouchi, who was betrayed by Okazaki when he didn’t watch the tape as promised. This results in Kanae’s ghost returning and driving Okazaki into madness.

While inspecting Sadako’s corpse, the forensic experts noted evidence that Sadako had died only a year ago, meaning that she was still alive in the sealed well for almost 30 years. They later reconstruct her body and send it to Takaishi, who takes it on his boat and later sets it loose into the bottom of the ocean.

Despite trying to keep their whereabouts hidden, Mai is coerced by the authorities, who close in on Reiko and Yoichi. At the station, Mai runs into Yoichi and utilizes her limited psychic abilities to tell him to flee. Yoichi regains his voice, which alerts Reiko. Both of them escape, but Reiko experiences a vision where her late father, who watched the tape some time ago to save Yoichi, appears. He tells her that “the child you carry with you isn’t Yoichi anymore”. Reiko is killed by a truck, having never recovered from the vision. The police arrive but Yoichi focuses his killing intent on one of the detectives for a moment, before Mai interrupts and whisks Yoichi away.

The next morning, Mai and Yoichi head for Izu, hoping to look for answers from Takaishi Yamamura, owner of an inn and Sadako’s last living relative. One of the doctors, who experiments with spirit photography or nensha, arrives with equipment and is looking for Mai. That same night, Mai returns to the Inn, having been taken to the River of Offering by Takaishi. Mai and the doctor see a vision of Shizuko combing her hair in front of a mirror and Sadako walking in, a scene from the video tape. This was actually caused by Yoichi, who was thinking of his mother at the time.

The next day, the doctor sets his equipment up next to a pool of fresh water which serves to negate Sadako’s energies from Yoichi. Mai is hooked up as a channeler. The process starts and suddenly becomes chaotic when Yoichi’s powers awaken. Takaishi, seeing Sadako’s coffin in the pool, swims out towards it and is killed while yelling “Take me! End this with me!” Later, the doctor, possessed by Sadako’s influence commits suicide by electrocution, which also kills the nurse trying to stop him. Mai takes the device off her head and runs to Yoichi before blacking out.

Waking up, Mai and Yoichi find themselves in the well before both of them fall in. Ryuji appears, telling Yoichi and Mai to give him their fear in order to escape. Ryuji’s grip leaves nensha marks on Yoichi’s hand. The well opens and the end of a rope is dropped down into the well. Mai and Yoichi scale up the well when Sadako appears, asking them, “Why is it you were saved?” Possibly asking Mai as to why she was able to escape the well when Sadako herself couldn’t. Sadako falls back into the well as Mai and Yoichi escape.

Mai and Yoichi emerge from well, only to find themselves in the same pool they were in earlier. The bodies of Takaishi, the doctor, and the nurse lay around the two as they reach the catwalk, fortunate to have survived.

In the hospital, a nurse comes into a holding room to take Okazaki’s picture before leaving. As the photo develops, her eyes widen in shock before looking back at the room. Behind Okazaki is the laughing ghost of Kanae Sawagouchi.

Ring

Filed under: 1990's Ghosts — Tags: — Casper @ 3:49 am
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Ring is a 1998 Japanese horror mystery film from director Hideo Nakata, adapted from the novel of the same name by Koji Suzuki, which draws from the Japanese folk tale Banch? Sarayashiki. The film stars Nanako Matsushima, Hiroyuki Sanada, and Rikiya Otaka as members of a divorced family, each cursed by a videotape. The film was later remade in the United States as The Ring (2002).

The film is the highest grossing horror film in Japan at 15.9 billion yen ($137.7 million) and is also considered the most frightening horror movie in Japan according to the investigation of Oricon.

Plot

Ring is a movie about a cursed videotape that, when watched, will cause the viewer to die a week after.

The film begins with two teenagers, Masami (Hitomi Sato) and Tomoko (Yuko Takeuchi) talking about a videotape recorded by a boy in Izu which is fabled to bear a curse that kills the viewer seven days after watching. Tomoko then reveals that a week ago, she and three of her friends watched a weird tape and received a call after watching it. Unnervingly similar to the storied videotape, Masami realizes that Tomoko was fated to die. After some unsettling moments, Tomoko mysteriously dies with Masami having the horror of watching.

Some days later and Asakawa Reiko (Nanako Matsushima), a reporter investigating the popularity of the video curse among teenagers, discovers that her niece, Tomoko and her three other friends mysteriously died at the same time on the same night with their faces twisted in a rictus of fear. She also discovers that Masami, the girl who was with Tomoko when she died, went crazy and is now in a mental hospital. After stumbling upon Tomoko’s photos from the past week, Reiko finds out that the four teenagers stayed in a rental cabin in Izu. Eventually, she flips to a photo of the teens with their faces blurred.

Later, Reiko goes to Izu and finds an unlabeled tape in the reception room of the rental cottage where the teenagers stayed. Watching the tape inside Cabin B4, Reiko sees the tape containing a series of seemingly unrelated disturbing images. As soon as the tape is over, Reiko receives a phone call, a realization of the tell-tale videotape curse. Then on, she now assumes that she has a week to live.

On the first day, Reiko enlists the help of her ex-husband, Ryuji Takayama (Hiroyuki Sanada). They take a picure of Reiko and finds her face blurred in the photograph, further confirming that Reiko really was cursed. Ryuji, then watches the tape, against Reiko’s objections. A day later and Reiko creates a copy for Ryuji for them to study. They find a hidden message embedded within the tape saying that “if you ’shoumon’ on seawater, the ‘boukon’ will come for you.” The message is in a form of dialect from Oshima Island. The two sail for Oshima (after Asakawa’s son watches the videotape) and discover the history of the great psychic Shizuko Yamamura.

With only a day left, Reiko and Ryuji discovered that Shizuko’s lost daughter, Sadako, must have made the videotape. Determined, the two go back to Izu with the assumption that Sadako is dead and it was her vengeful spirit that killed the teenagers. The duo then uncover a well under Cabin B4 and realize, through a vision, that Sadako’s father killed her and threw her into the well. They try to empty the well and find Sadako’s body in an attempt to appease her spirit. Reiko finds Sadako’s body. When nothing happens to her, they believe that the curse is broken.

All seems fine until the next day when Sadako crawls out of Ryuji’s TV set and kills him. Desperate to find a cure to save her son, Reiko realized what she did that Ryuji didn’t, thus saving her: She copied the tape and showed it to him. With a VCR and Ryuji’s copy of the tape, Reiko rides to her son in attempt to save him, realizing that this is a never-ending cycle: The tape must always be copied and passed on to ensure the survival of the viewers.

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